The Dark Knight Rises (2012)
Of course everyone's already seen this movie so this is all a bit pointless. Everyone agrees it's a good movie so I'll be focusing more on the negative to make it more interesting.
Bi-Villainy
I've always felt that the "Dark Knight" tradition of having two villains per movie is a bad thing. In the first one, the Scarecrow added nothing to the movie - they should have focused completely on Ja Rule.
The second one is much worse. You've got Keith Ledger as the Joker. Every second devoted to Harvey Dent is a waste of everyone's time. He's half good, he's half bad, he's all I don't care. Of course, Ledger's performance is so great, even the scenes focusing on Batman suffer by comparison.
In the Dark Knight Rises, the extra villain is Anne Hathaway's Catwoman. Even though this is the most acceptable instance of the three, at almost 3 hours long, it could have easily been omitted.
Bane
I don't know anything about comic books but it seems to me that in the great pantheon of Batman villains, Bane is quite far down the list. Ok, maybe the Riddler doesn't fit the tone. And, hey, maybe the Penguin is on vacation. But how many rungs down the baddy ladder do you have to go down before you reach Bane.
That aside, does it work in the movie? Kinda. I mean, Bane is a good villain in theory but the voice is ridiculous. Every time he opens his exhaust vent it's like a Batman villain parody. I was trying to nail down what his voice reminds me of and the closest I could come is it's something like Dr. Evil meets Yoda. But then when he's making his sweeping pronouncements to the citizens of Gotham I kept having flashbacks of Theodore Roosevelt. You can't expect me to root against Teddy!
Speaking of speeches. There's one scene where Bane addresses a stadium of people over the PA system. I can't imagine they strived for accuracy in this scene. If you truly combined Bane's own distortion with that of a public address system in a stadium, it would sound like he was taking your McDonald's drive-thru order (McBane?). It wouldn't work. He'd have control of a nuclear bomb but no one to tell it to. In all the years I've watched the Peanuts specials, I never assumed Charlie Brown's mom was threatening nuclear holocaust.
Conclusion
Obviously, "The Dark Knight Rises" is a good movie. Its special effects are phenomenal, great acting, great direction, great writing. Michael Caine gives a particularly strong performance as Alfred. From an IMDB 250 perspective it seems pretty overrated, but it is well worth seeing.
7/10.
Total Top "250" Movies Seen: 366.
Sunday, December 16, 2012
Monday-To-Friday Saturday Night Live!
The BET show "What Up With That?" is back with a whole new episode.
-- Spoilers --
The big thing, for me, was the appearance of Jackie Rogers Jr. I'm sure the audience doesn't know who that is, but "Jackie Rogers Jr's $100,000 Jackpot Wad" is an overlooked classic sketch. When Martin Short appeared on Late Night this week, The Roots played the "Jackie Rogers Jr." theme as his walk-on music.
But the big thing, for everyone else, is the fact that Samuel L. Jackson cursed on network television. It's muted on the internet clip, but you can see him say the F word. Then, off-camera he says "Some bull----!" causing Keenan Thompson to reply, "Come on now. That costs money". And, yes, in the live broadcast those words definitely did go out.
I gotta wonder what he's thinking. There's a script and he only would have one line so it's obviously blatant (as opposed to just a flub). And he has to know it's being broadcast live because that's right there IN the title of the show... I'd be surprised if he's not banned from the show because... well... that's going to cost money.
-- Spoilers --
The big thing, for me, was the appearance of Jackie Rogers Jr. I'm sure the audience doesn't know who that is, but "Jackie Rogers Jr's $100,000 Jackpot Wad" is an overlooked classic sketch. When Martin Short appeared on Late Night this week, The Roots played the "Jackie Rogers Jr." theme as his walk-on music.
But the big thing, for everyone else, is the fact that Samuel L. Jackson cursed on network television. It's muted on the internet clip, but you can see him say the F word. Then, off-camera he says "Some bull----!" causing Keenan Thompson to reply, "Come on now. That costs money". And, yes, in the live broadcast those words definitely did go out.
I gotta wonder what he's thinking. There's a script and he only would have one line so it's obviously blatant (as opposed to just a flub). And he has to know it's being broadcast live because that's right there IN the title of the show... I'd be surprised if he's not banned from the show because... well... that's going to cost money.
Labels:
Keenan Thompson,
Samuel L. Jackson,
SNL,
What Up With That
Friday, December 7, 2012
The Wheel of Carpet Samples Rolls On
It's old, it's coasting a bit now but it's still good... The Wheel of Carpet Samples... HOLIDAY EDITION!
Nothing says, "Merry Christmas" to me more than The Wheel of Carpet Samples.
I still get chills every time they announce the Mystery Sample.
Nothing says, "Merry Christmas" to me more than The Wheel of Carpet Samples.
I still get chills every time they announce the Mystery Sample.
Labels:
jimmy fallon,
Late Night,
Wheel of Carpet Samples
Wednesday, December 5, 2012
Drinkinstein
I'd like to think that my blog can, in some ways, be educational. And so it's extremely tempting to explain the following clip and place it in the proper context. But I will resist that temptation.
Great art stands on its own terms. It should be presented to the viewer unfiltered. It stands above any ability of mine to add or detract.
The observer comes to each piece with their own set of views and experiences, and great art simultaneously reflects and transcends those views and those experiences. The back and forth between the viewer supplying their input and the piece feeding back its own interpretation forms the intimate relationship between the observer and the observed. What kind of a person would I be to try to insert myself into such a relationship?
And so, without further ado, I present to you "Drinkinstein":
Great art stands on its own terms. It should be presented to the viewer unfiltered. It stands above any ability of mine to add or detract.
The observer comes to each piece with their own set of views and experiences, and great art simultaneously reflects and transcends those views and those experiences. The back and forth between the viewer supplying their input and the piece feeding back its own interpretation forms the intimate relationship between the observer and the observed. What kind of a person would I be to try to insert myself into such a relationship?
And so, without further ado, I present to you "Drinkinstein":
Labels:
Art,
Bad Movies,
Drinkenstein,
Film,
Films of the 1980s,
Movies,
Rhinestone,
Sylvester Stallone
Saturday, December 1, 2012
IMDB 250 8.4 - In the Name of the Father (1993)
In the Name of the Father (1993)
It is the seventies. MAN, is it the seventies, man. This movie is determined to establish THE HELL out of the fact that it is, indeed, the seventies - by any means necessary. In Ireland, the IRA is waging a war against the British government through riots and bombings. Gerard Conlon (Daniel Day-Lewis) is a, sort of, hippy drifter with little allegiance to either side. But after the bombing of two pub in England, he finds himself and his friends and family accused of creating and planting the bombs.
Under pressure from the government, the police suppress inconvenient evidence and obtain confessions through psychological torture. Several people including Gerard Conlon and his dad are sentenced to rot in prison for years until the case builds that the convictions should be appealed.
Based on a true story, this movie is part courtroom drama, part prison movie and part other courtroom drama. And when Gerard and his dad go to the same prison - even becoming cellmates - it adds a father-son plot-line.
Daniel Day-Lewis is (obviously) extremely good and the script has the gravity of a true story but there's something missing. Every single element of the movie is something we've already seen before in other movies. The police are corrupt baddies, the trial is a mockery of justice, life in prison is cruel and the lawyer who wants the case reopened sure is full of pluck and moxy.
It's a horrible injustice that really happened, and in modern times but, as cinema, it's a real problem when every aspect of a movie is a movie cliche. Drama turns to melodrama and its heavy-handedness in drawing out outrage from the viewer sometimes feels like a Lifetime movie of the week.
5/10.
Total Top "250" Movies Seen: 365.
It is the seventies. MAN, is it the seventies, man. This movie is determined to establish THE HELL out of the fact that it is, indeed, the seventies - by any means necessary. In Ireland, the IRA is waging a war against the British government through riots and bombings. Gerard Conlon (Daniel Day-Lewis) is a, sort of, hippy drifter with little allegiance to either side. But after the bombing of two pub in England, he finds himself and his friends and family accused of creating and planting the bombs.
Under pressure from the government, the police suppress inconvenient evidence and obtain confessions through psychological torture. Several people including Gerard Conlon and his dad are sentenced to rot in prison for years until the case builds that the convictions should be appealed.
Based on a true story, this movie is part courtroom drama, part prison movie and part other courtroom drama. And when Gerard and his dad go to the same prison - even becoming cellmates - it adds a father-son plot-line.
Daniel Day-Lewis is (obviously) extremely good and the script has the gravity of a true story but there's something missing. Every single element of the movie is something we've already seen before in other movies. The police are corrupt baddies, the trial is a mockery of justice, life in prison is cruel and the lawyer who wants the case reopened sure is full of pluck and moxy.
It's a horrible injustice that really happened, and in modern times but, as cinema, it's a real problem when every aspect of a movie is a movie cliche. Drama turns to melodrama and its heavy-handedness in drawing out outrage from the viewer sometimes feels like a Lifetime movie of the week.
5/10.
Total Top "250" Movies Seen: 365.
Wednesday, November 28, 2012
Nutria Fallout
"The best laid schemes of mice and men often go awry."
-- Begin Transmission --
Day 52 since The Event and supplies are wearing thin. Today I thought I saw a mouse in my house. I scoured the entire structure and found no entry points or traces of activity. I must now face two possible realities: 1) I have a mouse in my house to threaten my already dwindling supplies. 2) I've begun to hallucinate. Neither possibility is particularly encouraging. I will continue to monitor the situation if I continue to survive.
-- End Transmission --
-- Begin Transmission --
Day 53 since The Event. No activity around the mouse traps and no sign otherwise. Could it really be a hallucination? Thought about running the radio for one minute. Reconsidered.
-- End Transmission --
-- Begin Transmission
Day 54 since The Event. I definitely have a mouse. I woke up in the middle of the night to a decidedly metallic sound - like a spoon on a bowl. In the morning I checked my dishes and found mouse droppings in my drinking cup. The mouse defecated inside the cup from which I drink. It's not just a definitive sign that what I saw was real, he's sent a message. Thought about throwing away my paper towel roll telescope. Thought I might need it later.
-- End Transmission --
-- Begin Transmission --
Day 55 since The Event. Cleaned all dishes, counters and put away all trash. Eliminated all possible food sources for the mouse intruder. Checked my mouse traps. The bait had been eaten and the trap hadn't sprung. I replaced the bait. I'm basically feeding it as a pet at this point. Worse, I may be in a bad cartoon.
-- End Transmission --
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