Throne of Blood (1957)
Between battles within medieval Japan, two warriors are lost in a mysterious forest. Suddenly an old man appears (possibly a ghost) and prophecies that one of the men will become Emperor and the other will be the father of an Emperor. Do you take this prediction seriously? And if so, what do you do?
The film deals with questions of fate, predestination, free will and Machiavellian politics. You almost feel that knowing the future makes life MORE confusing, not less. Even if you know your future and it's something good, can you screw it up? Do you do nothing and suppose it happens "magically" or should you act? The questions are delicious.
It's another example of East meets West as the story is based on Macbeth, replacing medieval Europe with medieval Japan. A pleasant surprise is the "special effects" (for lack of a better word). The final scene features a man under attack by a barrage of arrows and, in 1957, you know it's not CGI. But how?
Not Kurosawa's best but even on a bad day he's still excellent.
7/10.
Total "Top 250" Movies Seen: 359.
Showing posts with label Akira Kurosawa. Show all posts
Showing posts with label Akira Kurosawa. Show all posts
Thursday, May 31, 2012
Monday, May 14, 2012
IMDB 250 7.3 - Harakiri (1962)
Harakiri (1962)
"The greatest delicacies taste of nothing when eaten alone."
When peace comes to Feudal Japan, a Samurai finds himself out of work and on the brink of starvation. When he appears at the gates of a fortress and says he wants to invoke the right of "harakiri" (the right of ritualistic suicide) he's obliged. As he insists on stalling the proceedings to tell his own history, the samurai wonder what his motives really are.
"Harakiri" is a tremendous story of poverty, desperation, resentment and revenge. That the story is masterful is no surprise - the writer, Shinobu Hashimoto, also wrote some of Akira Kurosawa's greatest films ("Rashomon", "Ikiru", "Seven Samurai"). It begins slowly with a simple questioning of the main character's motives and very slowly builds suspense as we learn more and more details of his past.
Watching it, I was struck by how it was simultaneously Eastern and "Western". Though the actors are Japanese and the weapons are samurai swords, it particularly resembles the Spaghetti Westerns of Sergio Leone. Note the tracking shot of a man's shadow as he walks across sand. Watch the extreme closeups of a man's sweaty face as he waits for an attack. Note that the drama is in extending the anticipation leading up to the fight rather than the fight itself. Most surprisingly, watch how the conical Asian hat is wielded for dramatic effect EXACTLY like a cowboy hat.
But the film is undoubtedly Eastern as well. It's a classic samurai movie - perhaps the classic samurai movie. And it's amazing how much movies like "Kill Bill" can borrow from a movie made in 1962.
8/10.
Total "Top 250" Movies Seen: 352.
"The greatest delicacies taste of nothing when eaten alone."
When peace comes to Feudal Japan, a Samurai finds himself out of work and on the brink of starvation. When he appears at the gates of a fortress and says he wants to invoke the right of "harakiri" (the right of ritualistic suicide) he's obliged. As he insists on stalling the proceedings to tell his own history, the samurai wonder what his motives really are.
"Harakiri" is a tremendous story of poverty, desperation, resentment and revenge. That the story is masterful is no surprise - the writer, Shinobu Hashimoto, also wrote some of Akira Kurosawa's greatest films ("Rashomon", "Ikiru", "Seven Samurai"). It begins slowly with a simple questioning of the main character's motives and very slowly builds suspense as we learn more and more details of his past.
Watching it, I was struck by how it was simultaneously Eastern and "Western". Though the actors are Japanese and the weapons are samurai swords, it particularly resembles the Spaghetti Westerns of Sergio Leone. Note the tracking shot of a man's shadow as he walks across sand. Watch the extreme closeups of a man's sweaty face as he waits for an attack. Note that the drama is in extending the anticipation leading up to the fight rather than the fight itself. Most surprisingly, watch how the conical Asian hat is wielded for dramatic effect EXACTLY like a cowboy hat.
But the film is undoubtedly Eastern as well. It's a classic samurai movie - perhaps the classic samurai movie. And it's amazing how much movies like "Kill Bill" can borrow from a movie made in 1962.
8/10.
Total "Top 250" Movies Seen: 352.
Monday, April 23, 2012
IMDB 250 7.2 - High and Low (1963)
High and Low (1963)
When a wealthy businessman receives a call that his son has been kidnapped and is being held for ransom, he and his wife panic and agree to pay the money. A few minutes later, their child walks into the house after a day of playing. The kidnapper has taken the wrong boy but insists on the ransom anyway. The family must decide whether to pay the ransom or risk the life of someone else's child.
As a big Akira Kurosawa fan, it's interesting to seem him make a film set in fairly modern times (modern in the 1960's when it was made). There are suits, thin ties, cocktails and cardigan sweaters. It's almost Kurosawa meets "Mad Men". But the theme is still just as classic: will an ordinary man sacrifice all his wealth and possessions to save someone's life? Feeling pressure from his wife, the police and his business partners, it's still the decision of a single man and his conscience.
Where the film weakens is when it strays from this intriguing sociological experiment. The question of the ransom is only a third of the movie - the other two thirds is dedicated to finding and capturing the criminals. The film transforms into a 1960's police procedural drama. Although well crafted and with significant twists and turns in the case, it's still quite a let down, particularly as there are currently a hundred "CSI" and "Law and Order" shows running around the clock doing essentially the same thing. This movie gets a pass for doing it first, but still, it's not the same.
6/10.
Total "Top 250" Movies Seen: 351.
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