Talent Coordinator Ryan Williams recalls his favorite moments working at the Late Show.
Let's face it, it's all about the beagle playing dead.
If Thurston Howell III were alive, he'd hang out here.
Talent Coordinator Ryan Williams recalls his favorite moments working at the Late Show.
Let's face it, it's all about the beagle playing dead.
First, there was this "10 Minute Power Hour:"
And from this, I thought the idea of the "best" instant ramen was intriguing and decided to seek out the top ones. Unfortunately, in their slapdash, "random" aesthetic, they make it impossible to follow along and therefore are guaranteed to provide no actual benefit to the viewer - that's a guarantee.
But thanks to this post, from u/FluidModeNetwork on Reddit, who took the time to painstakingly break down the film frame-by-frame and determine the results, I have a source of truth and so I bought and tried the top handful. Now that the expensive multiple deliveries from Japan are complete - who said instant ramen was cheap? - and now that I've more or less recovered from my salt coma, I've put together the results.
Also notable: there are little squares of chicken. I'm not sure I want to know what grade of meat Cup Noodle is using in their instant ramen but it's not great - and how could it be?
It has the noodles you already know, and it's salty, a little tomatoey and a little spicy. Ultimately, I like this soup, I think it's pretty good, but wouldn't recommend it because... it's Cup Noodle... and it just is what it is.
This ramen is large and comes with 3 packets - a brown gravy, a packet of greens and a packet of seaweed. Within the packet of greens is a spiral piece that I've shown above. What is it? I don't know - it tastes like fish.
I don't like the fish flavor, I don't like the seaweed even a little but this is the first instant ramen to justify this post's existence. You are getting something at home which tastes of authenticity - it is literally instant... ramen. This is the one in the video where they say, "This is the best so far."
In subsequent tries, I didn't add the seaweed and skipped the spiral. It still isn't perfect, but it is large, it's complex and I can't stress enough how authentic it tastes.
It should also be noted that I wasn't able to find this one, as such. What I found was "Sumire Sapporo Rich Miso Ramen." Not the exact wording but I couldn't find the exact wording. The labels looked the same and I consulted someone who knows Japanese and my best guess is that it's the same.
This comes with 3 packets - 1 powder, 1 gravy, 1 herbs. The herbs are Japanese herbs/vegetables that I can't identify (similar to #3.)
This has a rich miso, umami taste. I think the richest of the lot. It's also very authentic tasting without the seafood downsides of #3 and it's a large size. It's very hard to make confident judgements because I'm only getting a few (or sometimes 1) shots with each but I think this is my #1. The richness is the thing, for me.
This is the one where they state in the video, "You know what that has that the other ones don’t - umami." And, while others do have umami, they are correct that this has it also.
I had trouble coming up with anything to describe this with. It has thin noodles, a good salty flavor, a nice umami flavor, some hot spice but nothing predominates. Why is this #1? My best guess is that this is the SweeTango Effect where the thing that achieves #1 is the thing that no one can complain about, where everything seems right and in proportion. Highly recommend, for sure, but I think/I guess I like #2 better.
Feel free to try for yourself. All of these are inconvenient to try to obtain but not impossible. I found a few on Amazon, a few on various Japanese mart sites (be careful with scams) and a few on Ebay. But the prices are crazy, especially when you factor in shipping and the fact that it's noodle soup that takes a few cents to make.
Watch this or don't.
The point is, it once again proves my theory: WOMEN LOVE ROCKY.
Remember ALF? He's back... in Instagram form. If you want to follow ALF for the latest reviews in popular culture and lifestyle, check out the account:
https://www.instagram.com/alf_reviews/
[My first ever and last ever post concerning Instagram]
Today I went to the 45th anniversary re-release of "The Last Waltz." Here are some unorganized thoughts.
With all of these "see it on the big screen" releases, I try to find visual details that weren't apparent before. Here are some things I noticed for the first time.
I always skip Lawrence Ferlinghetti on the DVD but had no choice here. Garbage. And what is The Canterbury Tales doing in this movie? Neil Diamond's presence in this concert/movie is (rightfully) controversial but at least it's music. Cut out the poetry.
In "This Wheel's on Fire," Levon Helm recalls that somewhere in the middle of the concert (after Joni Mitchell), the energy of the audience seemed to flag but once Van Morrison was done high kicking he had breathed new life into everyone. There is some (weak) evidence in the film to support this. Toward the end of "Further on up the Road" the camera zooms out to reveal the audience in the lower left cheering, fist pumping and hopping. Then during Van Morrison's performance (pre-kickoff) we get a head-on shot of the audience, not very animated, fairly subdued. Thin evidence but it's there. I think with a 5 hour concert and a full-course turkey dinner, it would be impossible to not have some lulls in the action.
The most interesting thing that struck me on this viewing is the way Scorsese makes a point of making obvious the artificiality of documentary-making. This is established by the very first sounds of the movie - technicians rolling sound and Rick Danko saying "cut-throat." This is followed by Scorsese asking (off camera) "Ok, Rick, what's the game?" to which Rick replies "cut-throat." Usually, you cut the first part and leave just the "real" part. But starting a few seconds earlier reveals that the question and answer are not casual conversation happening in real life, they are part of a movie. After explaining the rules of the game, Danko gives a look that suggests his hyper awareness of being filmed. This is all staged.
Then look at the first few seconds of Robbie Robertson's first interview of the film. Robbie answers the question, asks if Scorsese wants him to rephrase and then answers again. All of it is left in.
Later on in the film, Martin starts his awkward, pointless interview with Rick Danko at "Shangri La." The shot starts a few seconds before "action" as if it's an amateur film.
It would be apparent to everyone that these flaws should be edited out. Scorsese is a perfectly competent filmmaker so the only conclusion that can be drawn is that this is a choice. The film is an artificial construct and he's deliberately pointing out the artifice. He's purposefully taking you out of the "reality" of the scene to remind you that it's not real. But why? What is he saying? The only thing I can guess at this point, is that it's merely for "style."
And if you're looking for an idea for a research paper, you could try exploring this "revealing the artifice" as a continuation of the ideas of Antonin Artaud and his "Theatre of Cruelty", through to Jack Hirschman's UCLA career in the 60s who then influenced Jim Morrison. And if you can make it work, this thread would continue later, reaching a climax in the 1990s on MTV. You may recall that MTV would, for instance, film a person talking into the camera but suddenly cut to a second shot that shows the person, the camera filming them, and the overhead microphone (preferably in black and white.) Why did they do that? As far as I know, it was merely "style." It's a thought. But there is a Criterion release of "The Last Waltz" with a director's commentary and so the real explanation is probably there.
In a few songs, most powerfully in "The Night They Drove Old Dixie Down," the crowd applauds at the climax of the song rather than wait for the song to be over or nearly over. I think that was a 70s trend but I'm not sure. It's definitely not just this concert, the example that comes to mind for this is Elton John's "Bennie and the Jets" (though that one is simulated, still the same idea). Like I said, I think this was a thing in the 70s but I don't know for sure. Was it? Did it happen in other eras? For what it's worth, I like it, it makes the crowd another element in the song and seems to take the emotion over the top.
Last thing: watching it again I was struck, as I'm always struck - to the soul - by the perfection of "It Makes No Difference" so I'll end with that.
"It's called 'DJ's Sex Club'"
"What?! What is that all about?!"
"Corned beef... Provolone..."
Psychic Sandwich was always one of my favorite minor bits. I don't recall her ever getting a correct answer.