Late Night - Spike Feresten's Favorite Moments

 Continuing the Writers' Favorite Moments series:

Spike Feresten hosted his own talk show on Fox. It was very good but didn't last long.

10 MPH - Telling Scary Stories and Taking Vitals

 

I Watched Every Episode of Baywatch Nights - Season 2

 

One of my speculations during Season 1 of "Baywatch Nights" was that it was constantly being tweaked due to low ratings. Well, in between Seasons 1 and 2, producers decided tweaking, re-tooling and adjusting just wasn't good enough - forget all that - instead, for Season 2, they pushed the Whopper Button.

From Wikipedia:

"For the second season, facing slipping ratings, which were never as good as the original series, the producers decided to switch to a science-fiction format (inspired by the success of The X-Files)."

Ho boy! Yes, the silly, beach-adjacent detective show with attractive women walking around in the background has changed to a paranormal investigation show set in a darkly lit sound stage. A pretty dramatic switch, I'd say, but do you think they're going to explain it within the logic of the show? Not one bit.

As the season begins, one of the main characters of the show (played by Gregallen Williams) is gone. Did he quit? Did he die? Did he retire? Not a word is spent on him, his name will not even be said. Whereas in the first season, each episode would begin with a customer wanting to hire the detective agency, now episodes begin with a mysterious government agent, Diamont Teague, needing their help for secret government secrets. Why? They were never paranormal experts, they were just an average detective agency, when did they become experts in the paranormal and why does the government, the richest organization in the world, ask THEM for help? We're talking about a former lifeguard and his pals, here. Never discussed, don't worry about it.

Maybe the show is better off not explaining. Because the one time they do make an attempt, the result is hilarious. In S02E07, a woman calls them because she's worried her daughter is in too deep with voodoo. Why does she call them? They explain: because Mitch, as a lifeguard, once saved her daughter. That's what they say. When you're battling a Haitian cult, you call Mitch Buchanan the former lifeguard because....? He swims good and can administer CPR? He'll bring a whistle or even a red floaty thing?

Regardless of the inciting incident, you can imagine the formula: each week is another phenomenon - creature from the black lagoon, aliens, ghosts, mummies, werewolves, time vortexes; they investigate them all, come to a conclusion and give a happy ending that's tinged with some ambiguity or spookiness.

One of the tropes they follow to a painful degree is: two partners on an investigation and one is a skeptic and the other is a believer (or more open to the possibility). Mitch and his partner trade off these roles depending on the episode but most of the time Mitch is the skeptic. It's a tried-and-true formula but it doesn't work so good when you're doing a TV series. "Don't give me those silly wives' tales" is a really weird thing to say when something paranormal has specifically happened to you every single week for the past 17 weeks and you've seen concrete evidence that it's all real. This stupidity reaches unbelievable levels in the episode (again S02E07) where Mitch, the victim of voodoo, is driving in a car alone and finds his hands spontaneously start bleeding, then feels stabs in his side and can barely move, then sees a man's stomach spontaneously explode, finds his hand has spontaneously healed but at the end of the episode he's SURE that voodoo doesn't exist. Mitch, you're a cartoon. It is possible that his denial is said as a joke, but given the tenor of the rest of the season, I don't think so.

Here's my favorite action sequence of the show. I can't decide if that's what they meant to do or somebody screwed up badly. Well someone screwed up badly either way but I mean, is that "style"? What is that? Is it exciting when a fight scene is blurry, hard to follow and shot at 3 frames per second?

Let's talk best and worst episodes. The best episode, I think, is S02E06, the gang goes into an old cabin and gets trapped in a surreal time-portal/time-loop thing. This is one of the more creative plots and the most dreamlike and they mix the sci-fi with some humor. It's still not great but it has, at least, something to it - it's enjoyable, it's different, you can see the kernel of a good show somewhere in there. Also in the "imaginative" category is S02E13, the gang investigates a Virtual Reality D&D computer game that swallows people into another dimension. It's very dumb but full marks for "going for it" with an odd idea, as opposed to just fighting a mummy or a vampire. The worst episode is very tough because the entire series is a slog, but the dumbest episode, I'll say, is S02E12 where a Viking is found in ice, unfrozen by scientists and goes on a rampage in modern day Los Angeles. A Viking, complete with the horn helmet, swinging his sword at trucks... it's so laughable.

Serious Science-Fiction, ya'll.

Let's run through guest stars again. It was more fun the last time but we need to get through it.

• S02E05 - Brant von Hoffman - not a celebrity but I just want to point out that he played two different characters across the two different seasons of "Baywatch Nights." Shyah! Right! As if we wouldn't notice!
• S02E11 - Robert Ginty! Again! He was also in Season 1 as another character.
• S02E12 - Edward Mulhare! He was Michael Knight's boss in "Knight Rider" (which obviously also starred David Hasselhoff) so this is an unofficial reunion episode. This episode also has Tom Dreesen and Johnny Dark. They're both good friends of "Late Show with David Letterman" and they happen to be in the same episode acting along one another in the same scene. Seems like a big coincidence, maybe there's a story there, I don't know.
• S02E16 - Pamela Bach-Hasselhoff. I remember her from "Baywatch" because I had a crush on her. I never knew her name so I never knew that she was actually married to David Hasselhoff in real life.
• S02E18 - Terry Kiser! From "Weekend at Bernies." He's Bernie.
• S02E19 - Alexandra Paul - Stephanie from "Baywatch." She died in "Baywatch" the previous year and appears here as a ghost.
• S02E20 - Rance Howard - father of Ron and Clint.
• S02E22 - Gregallen Williams - the guy who was a major character last season but cut from this one returns to do a cameo in one episode. No, they don't bother to explain anything, he just shows up and he's there now.

A few other unrelated notes. 

• Due to particular structure of S02E13, 21 minutes into a 42 minute episode and the opening credits are still playing. 
• In S02E01, Mitch is reading a real (I think) newspaper that contains the headline "Flyers Will Drink from Stanley Cup." The episode aired September 1996, which means it was filmed before that, and so the headline probably refers to the 1995-1996 playoffs. The Flyers finished first in their conference that year but lost in the second round to the Florida Panthers. In fact, the Flyers have not drunk from the Stanley Cup since then and we're coming up on 30 years later.
• There is a two episode run (S02E20-21) where Mitch and Angie Harmon's character are especially affectionate and playful with each other. Their chemistry has completely changed and it's very cute. I thought a show centered around these characters - a different show - could have really been enjoyable.
• I mentioned the theme song for Season 1 was excellent, the theme for Season 2 is not.

So that's "Baywatch Nights" Season 2. It's not exactly a terrible show but it's incredibly boring and was a complete slog for me. The acting and production are well done but I just don't care at all. When the  first season was stupid and silly, it could fall back on a certain amount of charm and attractive women. This season is stupid and silly but intends to be dark and serious sci-fi/horror and it's all very offputting. Keep in mind, I hate horror so I do have that bias but I like science-fiction. Good science fiction usually has a certain weight of intellect behind it, though, and the word "intellect" is one thing that has never been associated with Mitch Buchanan and "Baywatch". 

Even if the title didn't doom the project from the start, I think the entire concept of aping "X-Files" was doomed for failure. Yes, "The X-Files" was a big hit but that doesn't mean there was a sudden upswell in the public's demand for paranormal investigation shows. Bear in mind, I know almost nothing about "The X-Files" so I could be wrong here, but I don't think people's attraction to it was due to a love of aliens and monsters. I think the idea that "The Truth is out there" struck a chord with the zeitgeist of the time, it tapped into an unexpressed, deep-seated feeling that we were all being lied to. Compare that to the Nights tagline "The nights will never be the same" and you can see why it never made it to a Season 3.

And now that "Baywatch Nights" has inexplicably intersected with the genre of ghosts and goblins, you can see this whole venture into "Baywatch Nights" was in celebration of Halloween. Did you see that one coming? Happy Halloween.

The Munster's Revenge (1981)

 

There is not one, but TWO Munsters movies.

As the movie begins, the Munsters are visiting a wax museum and admiring their own statues. Immediately we're presented with two mysteries. First off, why do they have wax statues in a museum? In the Munsters Universe, they are not famous, as far as I remember. The movie doesn't explain. Secondly, their little boy Eddie who was about 12 in 1966, is still 12 in 1981. I don't get it, are they the same people? Are they not aging? Time travel? The 1966 movie created controversy by replacing the actress who Marilyn in the show and now both Marilyn and Eddie are both different.

So anyways, these wax figures exist but it turns out they're not just wax figures, they're actually robits. The owner of the museum (played by Sid Caesar, who the kids know from nothing) is using science to make the robots go out and commit crime. When witnesses describe the assailants, the police go after the Munsters. Now the family has to prove that they're innocent by convincing the police that it wasn't them, it was evil robot Munsterses.

I don't know the extent, but the premise sounds somewhat similar to "Kiss Meets the Phantom of the Park" which came out in 1978.

The difference between this movie and the last Munsters movie is immediately obvious. Though the canned laughter is still missing, the absence isn't noticeable. This movie has better jokes, more jokes, funnier situations and snappier dialogue. It is still dumb, make no mistake, but it's dumb in the best way possible - it's The Munsters, what do you expect? If you see only one Munsters movie this holiday season, make sure it's "The Munster's Revenge!"

And special recognition to Fred Gwynne's performance as Herman Munster and the character in general. Watching the hulking mass act with naivety and gentleness is a pleasure to watch. He is the quintessential gentle giant. Gwynne was such an enjoyable, talented actor; it was unfortunate that he was typecast, though it's understandable in the sense that he was so good in this role. Either way, I'm glad "My Cousin Vinny" was as big a hit as it was, at least we got that.

I Watched Every Episode of Baywatch Nights - Season 1

"Baywatch Nights" is a laughingstock, a joke, the prototypical bad spin-off cash-in. If you are crafting a joke and need an embarrassing show that, nevertheless, people will recognize, I can think of no better punchline than "Baywatch Nights." That's why I watched every (available) episode. But what I found when I watched it surprised me in a number of ways...

Here's the first surprise: the first season is not really that bad. I really wanted the worst show out there and had to constantly admit that it just... isn't... terrible. Yes, on the one hand, it's not good enough to be a good show and I don't claim that it is good, but the sad fact is it's not bad enough to really be hilarious either.

"Baywatch Nights" follows Mitch Buchanan (David Hasselhoff) and his partners (played by Gregallen Williams and Angie Harmon) in their detective agency business. The formula for the show is obvious: every week someone comes in with a case/mystery and every week they catch the bad guys. In the early episodes, nothing is explained. Typically the first episode would be everyone meeting each other, explaining the backstory. The show has no backstory and particularly doesn't bother to explain how this is "Baywatch" aside from the existence of the character Mitch Buchanan. Presumably Mitch isn't a lifeguard by day and a detective by night because we see him doing detective work at night, but nor are we told that he's retired from lifeguarding. The show simply starts without explaining anything.

Throughout the show there's a "will-they-won't-they" between Mitch and Angie Harmon's character which is just as unexplained. Usually, when you put two characters together and show an obvious attraction between them, you also set up an obstacle that keeps them apart. This show sets up the obvious attraction between their characters, has them flirt, has them never becoming involved but gives no reason as to why. It isn't until the 8th episode where they "recall" that they had agreed some time in the past (not depicted) to not mix business with pleasure. Ok fine, you did the bare minimum, congrats, but that's still 7 episodes of "huh? why?"

There are a lot of parallels with "T and T." I get the feeling that this is the show that "T and T" would like to be - they both went for style, they're both detective shows revolving around solving a mystery, they're both cheesy but they both take themselves seriously. But whereas "T and T" had a general serious/downer tone, Nights is fun and generally lighthearted. Whereas "T and T" is the bad watching-tv-on-summer-vacation show, Nights is the acceptable watching-tv-on-summer-vacation show (acceptable, sometimes even fun). And I want it noted that while the "T and T" theme song is a trainwreck, the Nights theme song is excellent. Hasselhoff and Lou Rawls - what a combo.

Another parallel Nights shares with "T and T" is my general feeling that the people making it are constantly saying to themselves, "The ratings are bad so we need to shuffle things around." The first (minor) character is eliminated after just 4 episodes. Two new minor characters (one played by Donna D'Errico and one played by some dude) are introduced mid-way through the season. And those won't be the last cast changes but that will come later.

But another "shuffle" is the format of the show. In the earliest episodes, it's supposed to be a noir detective story, complete with Hasselhoff voiceovers like "My dad told me that once in a while you meet a woman so beautiful that it knocks the wind out of you. Maybe today was my turn..." But the noir narration is dropped fairly early on. There is also a big shift in its relation to "Baywatch." In the beginning, like I said, they avoid the topic completely, but then all of a sudden the mysteries (and therefore the episodes) will arise from the beach, lifeguards, etc. and sometimes they will dwell there. I got the feeling that someone saw low ratings and said "let's get some of that 'Baywatch' going" and quickly brought it front and center. And then suddenly they take the next step and there are actual characters from "Baywatch" crossing over to do a guest appearance!

Adding background actors to your scene can increase visual depth and interest.

And guest appearances, by the way, are one of the more delightful aspects of my experience with the show. I will list the major highlights:

•  S01E02 - J. Peterman from "Seinfeld" teams up with Kevin Arnold's older brother from "The Wonder Years" to steal money using rollerblades. That is real, that is what happens.
• S01E06 - Robert Ginty! Also Nancy Cartwright (Bart Simpson).
• S01E12 - "Stuttering John" Melendez - and actually acting, not playing himself.
• S01E13 - Geraldo Rivera - also acting as a fictional character. His acting is better than I expected from Geraldo but there are a few moments where his performance is funny.
• S01E16 - Yasmine Bleeth from the original "Baywatch."
• S01E19 - Carmen Electra - before she was very well known, I think, and probably before she joined regular "Baywatch." But forget about her - Ben Murphy is in the ep and he's the evil villain of the week! Ben Murphy is always ruining everything.

Speaking of bad acting, do you want to see my favorite performance in all of Season 1? Here it is. #OscarWorthy. It's just the best. Why wasn't there a spin-off for this guy? I'd watch that.

I have to mention, though I don't know how to transition to it, the obvious selling point of the show. The ladies. The attractive woman aspect of the show (I have to assume) is much more toned down than "Baywatch" but it's still very prominent. In any given scene of exposition, the main characters will be talking on a bench with perfectly placed beach babes walking (or rollerblading) across the foreground and/or background. The background and the extras are much of the sex appeal of the show but then occasionally someone's in underwear or taking a shower or "out for a swim" or whatnot. I mean, human females do all of these things and the show needs to reflect reality. There is one episode where something went wrong and it just gets weird. S01E19, is suddenly racier than every episode before or since. For some reason they really seemed to be "going for something," trying to push the envelope on what they could get onto syndicated television.

So that's "Baywatch Nights" Season 1. It's silly, it's stupid, the premise/title makes NO sense; yes it's a bad show but not nearly as bad as it really could, or by rights should, be. It looks slick, it looks stylish, the characters are entirely likable, the writing is as good as it needs to be. It also has the added bonus of a great "of the 90s" nostalgia. It's usually just light and breezy, fairly harmless, casual entertainment. Obviously, I started regularly watching the episodes as an ironic stunt to create some blog posts but I have to admit that the show actually started to grow on me a little bit and so I have little content to speak of. It grew on me for two reasons. Firstly, because it's the time of year where the days are getting shorter and the temperatures are dropping - I found the bright, sunny California beach setting became infectious, almost therapeutic. And secondly, I realized at some point that Donna D'Errico's appearance in the opening credits was often the best part of my day. I'm not happy about it, I don't like to admit it, but this is what happened.

So that's everything I have to say about Season 1. But get ready because moving on to Season 2, EVERYTHING is about to change...

Munster, Go Home! (1966)

 

I really liked "The Munsters" when I was a kid. I liked it so much, I even watched the disastrous 80s reboot. But would you believe that up until a few days ago, I didn't even know there was a Munsters movie? In fact there are two.

"Munster, Go Home!" was made just a few years after the show was cancelled with almost all of the original cast. In it, Herman finds that a distant relative has died and he has inherited a large English estate and become a Lord. The Munsters go to England to be fish-out-of-water because, you know, they're not British. Other relatives who missed out of their inheritance conspire to get rid of the Munsters by scaring them off. Scare tactics obviously don't work, as the Munsters like that sort of thing. There is also a scheme to counterfeit money and the entire plot comes to a head at a hot rod race for reasons I didn't understand.

My first notable observation from this movie was the difference created by the absence of canned laughter. The TV show was the golden age of fake audience laughter, it was so intertwined in the fabric of the show you can't imagine The Munsters existing without it. And yet, in this movie, jokes and gags are followed by silence and it's almost disturbing, the stark contrast. I hate to say it, but the result made me think, "Is The Munsters actually not funny?"

One thing I did find funny that I really never registered when I was a kid was the running gag where Marilyn, the beautiful normal person in the family, is seen by the others as homely. Amongst the slapstick and gags, this is a nice, subtle, wry element.

The other thing I noticed, only now is the acting of the actress who plays Lily, Yvonne De Carlo. Even within a very "big" show like The Munsters, she is the most animated, the most exagerated. Everyone else is in a talkie, Yvonne is in a silent film... an extreme silent film. The thing is though, when I tried to find an example online to prove this assertion, I find all available clips are from the TV show and her acting suits the TV show perfectly. What makes the movie different? Well, if you ever watch "Munster, Go Home!" take a look.