Jack McBrayer and a guest (oops, I guess the preview gives away the best surprise in the bit) visit the "Weiner's Circle":
I love all the kooky and eccentric local oddities that freckle this great land of ours. They help define and reinforce local culture. However, this is one I don't understand in the slightest. It's one thing to have a place where people insult you in a fun, we're-playing-a-character type of way but I don't see that here. This is a straight-up "Boot Camp" episode of "Maury".
But I post it for the Triumphness and the chance to see Jack McBrayer play "mean".
1-800-588-2300 Empire. Today.
Friday, June 15, 2012
Thursday, June 14, 2012
Conan in Chicago: The Lincoln Museum
Conan visits Springfield, Illinois - Lincoln Central.
It's weird to see a place you've been to on TV. I've visited the Lincoln museum. As Conan eludes to, the use of life-size replica statues is pretty corny but that aside, it's a really cool museum with very clever and interesting exhibits.
Of course, the number one thing I wanted to do was visit Lincoln's tomb because that is supposedly really cool and feels more "real" but that never happened.
Mary Todd Lincoln is hot.
It's weird to see a place you've been to on TV. I've visited the Lincoln museum. As Conan eludes to, the use of life-size replica statues is pretty corny but that aside, it's a really cool museum with very clever and interesting exhibits.
Of course, the number one thing I wanted to do was visit Lincoln's tomb because that is supposedly really cool and feels more "real" but that never happened.
Mary Todd Lincoln is hot.
Labels:
Abraham Lincoln,
Chicago,
Conan,
Conan Obrien,
Lincoln Museum,
Lincolns Tomb,
Museums
Wednesday, June 13, 2012
Return of the Wolfwaker
With the Wolfwaker to guide them, creatures of the Wolf Planet lived in peace and prosperity for thousands of years. They developed a complex system of government and arts and science flourished and a broad industrial base waked into existence in half a century. Within a millennium, the wolves ventured into space and became children of the stars.
On a bright, clear day, 6000 years after landing on Lupen, the Wolfwaker was given their fastest vessel. Equipped with neutrino-pulse-disruptor technology, this massive star ship could tear through the very fabric of the universe, devour Class 9 stars and bring the Wolfwaker home at last. "Is this the end of my long journey?", he wondered. "Can I finally put down my harmonic spear?"
As he sped through the outer limb of the galaxy, riding on a pillar of fusion flame toward a planet he called home - towards uncertainty - the Wolfwaker knew in his bones that the fight was not over. The iris to open the faster-than-light communicator embedded in the fat of his hand had sent one final coded message hurtling back through space to the wolves.
It was his final goodbye, and it was a warning...
Labels:
Cell Phone Shootout,
jimmy fallon,
Late Night,
Wolfwaker
Conan in Chicago: The Blues
Conan meets with elementary school kids and teaches them the Blues:
It's been a long time since I've seen "Caps for Sale".
This post is dedicated to Olivia (2005-2012).
It's been a long time since I've seen "Caps for Sale".
This post is dedicated to Olivia (2005-2012).
Labels:
Chicago,
Conan,
Conan Obrien,
Jimmy Vivino,
Kids,
The Blues
Tuesday, June 12, 2012
Conan in Chicago: Irish Stepdancing
Conan is in Chicago for a week of shows. Today he learned how to do traditional Irish stepdancing.
I think Conan's confusing a leprechaun finding a pot of gold with a prospector (Walter Huston in "The Treasure of the Sierre Madre") when he finds a vein of gold. You decide.
TAYYYYYTOOOOSS!
I think Conan's confusing a leprechaun finding a pot of gold with a prospector (Walter Huston in "The Treasure of the Sierre Madre") when he finds a vein of gold. You decide.
TAYYYYYTOOOOSS!
Labels:
Chicago,
Conan,
Conan Obrien,
Irish Stepdancing
Wednesday, June 6, 2012
Movie Review: The Longest Day (1962)
The Longest Day (1962)
"We are witnessing something which historians will always say is completely improbable... and yet it is true."
The "Longest Day" depicts the events of D-Day from all sides (German, British, French, American) and at every level (civilians, soldiers, generals, soldiers, medics) and on all five beaches. Stars Richard Burton, Sean Connery, Henry Fonda, Robert Mitchum, John Wayne within a cast of thousands.
I was told that "The Longest Day" was a fantastic movie but had not given watching it high priority because I assumed that a movie from 1962 and starring John Wayne was bound to be laden with old Hollywood war cliches. I couldn't have been more wrong.
That realism is the goal is evident from the outset. Scenes depicting Americans end only to give way to scenes of the British. When those end, the focus turns to the Nazis - depicted as intelligent military men and speaking in actual German with subtitles at the bottom of the screen. Next the French Resistance, speaking French, again with subtitles. The movie has the audacity of not just introducing a cast of characters, but listing their name, rank and country at the bottom of the screen as they do it. Instead of just "based on true events", the movie attempts to be accurate down to the real individuals and demands that viewers hold them to that standard.
Although there are innumerable storylines, the viewer gets the sense that there is only one storyline. The story is the day. The story is history unfolding. The constant changes of context from one group at one location in one aspect of battle, to another group at another location in another aspect of battle, gives the movie a sense of urgency and modernity. The vast number of characters/real people and situations depicted almost give it a documentary feeling. There are shots in this movie that involve so many men and so many explosions that you feel it must be actual footage of the landing. There is a long, continuous shot during the fight in Ouisterham that is as startling and amazing as you will see in any movie.
Perhaps my opinion is skewed by the day I watched it. Nevertheless, I found it as intense and adrenaline filled as any movie I've seen. The film does the only thing a war movie should do - and the thing that every great war movie ("Glory", "Saving Private Ryan") does - it strives for absolute realism, knowing that the reality of war is more exciting, more intense, more depressing, and more horrible than any fiction.
9/10.
"We are witnessing something which historians will always say is completely improbable... and yet it is true."
The "Longest Day" depicts the events of D-Day from all sides (German, British, French, American) and at every level (civilians, soldiers, generals, soldiers, medics) and on all five beaches. Stars Richard Burton, Sean Connery, Henry Fonda, Robert Mitchum, John Wayne within a cast of thousands.
I was told that "The Longest Day" was a fantastic movie but had not given watching it high priority because I assumed that a movie from 1962 and starring John Wayne was bound to be laden with old Hollywood war cliches. I couldn't have been more wrong.
That realism is the goal is evident from the outset. Scenes depicting Americans end only to give way to scenes of the British. When those end, the focus turns to the Nazis - depicted as intelligent military men and speaking in actual German with subtitles at the bottom of the screen. Next the French Resistance, speaking French, again with subtitles. The movie has the audacity of not just introducing a cast of characters, but listing their name, rank and country at the bottom of the screen as they do it. Instead of just "based on true events", the movie attempts to be accurate down to the real individuals and demands that viewers hold them to that standard.
Although there are innumerable storylines, the viewer gets the sense that there is only one storyline. The story is the day. The story is history unfolding. The constant changes of context from one group at one location in one aspect of battle, to another group at another location in another aspect of battle, gives the movie a sense of urgency and modernity. The vast number of characters/real people and situations depicted almost give it a documentary feeling. There are shots in this movie that involve so many men and so many explosions that you feel it must be actual footage of the landing. There is a long, continuous shot during the fight in Ouisterham that is as startling and amazing as you will see in any movie.
Perhaps my opinion is skewed by the day I watched it. Nevertheless, I found it as intense and adrenaline filled as any movie I've seen. The film does the only thing a war movie should do - and the thing that every great war movie ("Glory", "Saving Private Ryan") does - it strives for absolute realism, knowing that the reality of war is more exciting, more intense, more depressing, and more horrible than any fiction.
9/10.
Labels:
D-Day,
Films of the 1960s,
Movie Review,
Movies,
Normandy,
The Longest Day,
War Movies,
World War II
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