Monday, January 18, 2010

Pump Up The Volume


The other day I watched "Pump Up The Volume" for the first time. I had seen parts of it here and there but never before had I watched it all the way through. Being an 80's teen classic, I assume most people have seen it by now so I won't explain the plot or characters in too much detail.

Basically it's the teenage 80's version of "Network". Christian Slater plays the Howard Beale character, tricking out a small shortwave radio, going on the air, telling everyone he's mad as hell and he's not going to take it anymore and becoming a cult phenomenon amongst the kids at his school. All the while he's subverting the system with his verbal assault, he maintains his secret identity, attending school, getting good grades and having trouble with women. He's bold, philosophical and crude with a mic in front of him talking to hundreds but in real life he can barely make eye contact with anyone.

Basically living at that time in history sucks, being a teen sucks, parents suck, school sucks, life is depressing but you've got to work your way through it because the point of being a teenager is surviving being a teenager so you're still around when things get better.

His "shock jock" radio becomes a catalyst for increasing rebellious behavior amongst his classmates and the authorities attempt to close in and shut him down by all means necessary. The movie ends with Christian being arrested while encouraging his fans that he's just one voice and they all have a voice.

It's interesting to me how "rock 'n roll" the ending is while it's technically so depressing. As it ends, he's going to jail, his girlfriend is expelled from school, his dad (a school administrator of some type) is almost certainly going to be fired and "the man" has triumphed once again.

As the movie ends and he encourages each of his followers that they too have a voice and they should use it, the movie fades to black as we hear a audio kaleidoscope of ordinary teens broadcasting on their own stations. He's apparently inspired a revolution.

What kind of a revolution is that though? If everyone had their own radio show (and therefore the ability to reach the world) no one in the world would be listening to anyone else anyway. They're too busy broadcasting a show of their own. Everyone's talking and nobody's listening. The world's air waves of ordinary people shouting over each other. Isn't that self-defeating?Oh and by the way, if you have a million adolescents monologuing about how much life sucks, what percentage would you think actually say something interesting?

The surprising part of the PUTV revolution is that it actually happened. At the end of "The Matrix" Neo's going to wake us all up to the horrifying truth and we can ditch this illusion that the powers that be are using to keep us down but that has stayed purely in the realm of fiction. At the end of "Hackers" we're probably supposed to hack the planet and revolutionize the world but the Average Joe had no time for "3-D Flyarounds" and "going for the Kernel". The same for "V For Vendetta" probably... I don't remember. But the amazing thing about the idea proposed in "Pump Up The Volume" is that it did happen. Not that every schmoe and there mother started a pirate radio station because clearly they didn't, but the internet revolution, with people twittering, blogging, vlogging, facebooking, etc is exactly analagous to everyone broadcasting their own radio station. And just as expected, everyone's talking to everybody else and nobody's actually listening (also see "The Sound of Silence", Simon, Garfunkel, et al.).

And so "Pump Up The Volume" is in a pretty exceptional category where it spoke of a revolution that DID happen (though it obviously wasn't by direct inspiration). Teens of today, can let their voice be heard and express their viewpoints to the entire world. But isn't it a somewhat dismal and depressing revolution of which this blog is a part? Are kids better off in a world where people shout what their pets did from the mountain tops? Is it any use writing a blog and sending it out into the world if it's completely ignored? The movie argues it is. One of the central themes of "Pump Up The Volume" is the idea that talking- that "getting it out", even if nobody is listening is still an important catharsis. It argues that whether you talk to a counselor, a friend, a doll, a forum, a microphone, etc, the point is to express yourself somehow for the sake of your own sanity. With this in mind, perhaps this new technology, though appearing to be egotistical, self-important and self-indulgent, is doing some good. So be it.

Rating : 6/10 (Worth Seeing).
Teen Angst Rating : 3 Å (Teen Angst is measured in Angstroms).

Conan Carries On About Coco Carry-On

I'm holding off on a post until something official and definitive comes out but it certainly doesn't look good for "The Tonight Show" with Conan O'Brien.

But on the bright side, now's the time to get a deal on some fine carry-on luggage from the show:

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Neil Young's New Ballad

This one is best if I don't give it away but not funny at all if you don't understand.

Check it out:


If you don't get it, it's a reference to this atrocity currently sweeping the nation. I can't believe the guy had to be eliminated simply on a technicality! Sad.

The Roots Don't Know Billy Joel, Learn Billy Joel

On Thursday Jeremy Renner was on "Late Night" to promote "The Hurt Locker". After mentioning that he sometimes plays/sings with a band, Jimmy decides to have him show off his musical skills. One of his favorites is "New York State of Mind" by Billy Joel.

Jimmy: Roots, do you know "New York State of Mind"?
[Shot of The Roots looking like deer in headlights]
Jimmy: I think we stumped The Roots.
[Shot of The Roots wracking their brains in silence.]

Jeremy Renner does a solo and The Roots accompany as the melody becomes clearer.

Back from commercial, Jimmy is still disturbed. "The Roots don't know Billy Joel? I can't even believe it. You guys are in so much trouble. You don't know any Billy Joel?" Some members point fingers at other members, others hang their heads in shame. One offers, "I know who he is!"

Jimmy and Jeremy play an intense game of Perfection. At the conclusion of the segment, as Jimmy throws to commercial, The Roots play "You May Be Right". They had learned and arranged a Billy Joel song in 4 minutes.

Follow Up: Friday - First guest: Kiefer Sutherland who plays Jack Bauer in "24". The Roots play "Captain Jack". Second guest: Kerry Washington who's in a Broadway play. The Roots play "Uptown Girl". They followed their embarrassing episode one day earlier with an All-Billy-Joel extravaganza.

This phenomenon is not unheard of in my life. In an interview once, a reporter asked Thom Yorke (Radiohead frontman) if he liked any Billy Joel songs. He thought for a minute but responded that he didn't know who that was. Then after some time had passed he said something like, "Is that the guy who did that 'it's still rock 'n roll' song? Yeah, I like that one."

Not knowing who Billy Joel is?! I guess it goes to show that sometimes some artists live in a plane of existence outside the realm that you and I live in.

Friday, January 15, 2010

WTS: 1 Late Night Talk Show

While he still can, Conan is trying to sell "The Tonight Show" on craigslist in order to get something out of it.

"4 SALE: BARELY-USED LATE NIGHT TALK SHOW – MAKE ME AN OFFER!!! (Universal Studios)
--------------------------------------------------

This is a chance of a lifetime to own your very own late night talk show--guaranteed to last for up to seven months!! Really must see to appreciate.

Information for potential buyers:

- Measures 100’ x 100’ x 32’ – plenty of room for a futon!

- Designed for 11:35 but can be easily moved

- Band can be sold separately

- Buyer must honor Barry Manilow booking next Thursday

MAKE ME YOUR BEST OFFER!!!!! (Also willing to trade for Coldplay tickets.)"

See the listing here.

Thursday, January 14, 2010

Ricky Gervais on The Tonight Show, New HBO Clip

It's always worth noting when Ricky Gervais appears on The Tonight Show as he's one of the funniest guests. Not one to pass up a good opportunity(or twelve), he is relentless with jokes about NBC and Conan's uncertain future.

A special, almost surreal, moment for me is when he and Conan talk about Karl Pilkington on national television. That's 'Worlds Colliding' for my life experience. He also showed a new promotional clip for the new HBO show "The Ricky Gervais Show" which features a classic Ricky and Steve Merchant improv bit.

There is no reason to divide this into 4 parts other than purely for commercials...

Part 1:

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Part 2:

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Part 3:

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Part 4:

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HBO Promo Clip:
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Ricky's on mainly to promote the fact that he's hosting Golden Globes which will be this Sunday.