Bad news: no Dylan 'Bruiser' King. Good news: karate!
If Thurston Howell III were alive, he'd hang out here.
Bad news: no Dylan 'Bruiser' King. Good news: karate!
It's been 5 years now since I first celebrated Christmas with Dennis and I have celebrated Christmas with Dennis, perhaps not every year, but many times since.
Well, there is a sequel - canonically entitled "Dennis Awe: An Awesome Christmas." And this edition has a number of guest stars including Pat Boone and Donna Douglas (Elly May from "The Beverly Hillbillies") as well as a giant Shoji Tabuchi-size audience.
The organ playing is excellent, the special has all the quality you'd expect from Dennis. But early on it becomes apparent that there is a strict separation between the performance and the giant applauding crowds. The game within the game is this: will there ever be a shot that establishes the performers and the audience are in the same place? Spoiler alert: it never comes.
At 46:00, it's time for Dennis' sister DyAnne to shine. You don't need me to tell you that her playing charges the special's atmosphere with eroticism.
At 1:35:30 the special completely gives away the game as it tries to pass off a split-screen gag as taking place in front of the "live" audience. There's no question anymore.
Finally, you might go to 1:47:15 to see Dennis do a comedy double-act with someone other than himself. And I won't give it away, but at this point the special sinks to new lows. I was hoping, "Surely, they're not going to do this." But they did it. Oh, they did it.
People back then had a much "freer" notion of rhythm, I guess.
I like this Diane Sawyer piece, partly because I miss Diane Sawyer. I'm going to send this to my parents, I think it's especially for the Boomer crowd.
Former writer Will Forte talks about his experience working on the Late Show.
I'm amazed. Firstly, I didn't know Will Forte was a writer on the Late Show. Secondly, I didn't know there was a MacGruber TV show.
Or: "Partially Ruining a Christmas Classic"
Driving to my parents house with the Christmas music on the radio and Josh Groban's rendition of "O Holy Night" comes on. I noticed something askew.
It's a high quality rendition of a classic song for the most part but I couldn't stop noticing something absolutely inexplicable about it.
The first two minutes, everything's as it should be. Once we get to 2:00 Groban sings "O Knife Divine." Thereafter, almost every instance of "night" is replaced by "knife." The only exception is at 4:15 where there's a legitimate "night" but even that is followed up 2 seconds later with another "knife." So it's "O night / O knife divine."
And now I will never un-hear "O Holy Knife." This is the biggest lyrical scandal since "Poker Face."