Ip Man (2008)
In 1930's China, the task of assigning computer internet addresses (IP addresses) was not trusted to a mere machine. Only a man - a master of counting at the highest level - could be charged with such an important task. This man is the Ip Man.
In the city of Fansho in the 1930's, Kung Fu schools are everywhere. But even with an abundance of martial artists, one man (Ip Man) stands above them all as the most unstoppable fighting machine. When the Japanese occupy during World War II, the Japanese general in charge of Fansho decides to settle the question of Chinese vs. Japanese martial arts. He sets up a(n underground?) fight club and, before long, forces Ip Man to participate.
Ip Man tells the story of a real man,Yip Man, who invented the martial art school of Wing Chung. And THAT sentence is the extent to which I trust "Ip Man" to be historically accurate. The rest portrays Yip Man as a saint, the Japanese as mustache twirling villains and implies that Yip Man was the rallying cry that allowed China to win World War II. I wondered if the U.S. had a hand in that war but the movie didn't say and I didn't have time to fact-check.
"Ip Man" is a Kung Fu movie through and through... with one twist. Remember the old Kung Fu movies from the 70's where all the dialogue is overdubbed? "Ip Man" does that... but it actually overdubs the Chinese dialog with Chinese. So even though there's fake-sounding speech, you still also have to read subtitles. Not that I mind subtitles, I just can't stand when all the dialogue is overdubbed - it's one of the surest ways of taking me out of the movie completely.
Speaking of languages, one of the central characters is a translator. This is because the Chinese and Japanese don't understand each other. That's a little troubling, then, in the scenes when the Chinese and Japanese characters - who needed his services just a few scenes before - speak directly to each other without him. Whoops!
The writing is weak, the directing is serviceable, the editing is average, the music is particularly cliched and, even if the acting is OK, the overdubbing makes sure that it appears weak. Where the movie excels is in the action sequences. The fighting is lightning-quick and meticulously choreographed at the highest level. In that sense, this movie follows in the vein of "Crouching Tiger, Hidden Dragon" (though the physics involved is a little more down to Earth). And it plays all the hits (one vs. one, one vs. 10, 50 vs. 10, etc.) and all of them is complex and extremely well done. And that, and only that, is why this movie is in the IMDB Top 250.
If you're a Kung Fu fan this movie is a must-see. I am not. The only time a fight is interesting, for me, is when I care about the outcome.
6/10.
Total "Top 250" Movies Seen: 354.
Tuesday, May 22, 2012
Monday, May 21, 2012
Anchorman 2 Teaser Teaser
Whammy.
2013?! WHAT?! NOOOOOOOOOOOO!!!! Milk was a really bad choice.
2013?! WHAT?! NOOOOOOOOOOOO!!!! Milk was a really bad choice.
Labels:
Anchorman,
Anchorman: The Legend Continues,
Movies,
Teaser
Sunday, May 20, 2012
IMDB 250 7.4 - A Separation (2011)
A Separation (2011)
A wife leaves her husband. The husband (Nader) hires someone to look after their child and his father (now suffering from Alzheimer's). When the woman is caught leaving the father unattended, a dispute erupts and she falls. As luck would have it, she was pregnant and says that the fall caused her to lose her unborn child. Now Nader is on trial for murder and she is accused of neglect.
This is the first Iranian movie to win an Oscar (Best Foreign Language Film) and could be the first Iranian movie I've ever seen (though I'm not sure). "A Separation" is thoroughly steeped in realism and gives an interesting insight into current-day life in Iran. Just about every character conflicts with just about every other character yet none of them are evil and there are no villains - only people. Everyone is trying to be good and live within the rules but the rules are inadequate to handle the full spectrum of human experience. There is no "villain". It's a fallen world in which truth is shades of gray and sometimes two wrongs make a right and sometimes two wrongs make three wrongs.
Like "The Bicycle Thief", this movie attempts to go big by going small - to comment on the general by focusing on the particular. It's subtle and stark without becoming dark and sullen. In the movie, as in everyday life, life is hard. People struggle and suffer and try to do their best to get by and do what's best for their families. And it's a difficult world. But I couldn't help but wonder (and many people will certainly disagree) whether it may be too real. If a movie looks just like real life, should one question why they're watching a movie and not just continuing to live real life? Can a movie be real enough to be ordinary?
This is a well made movie and a lot of people will love it but I can't.
6/10.
Total "Top 250" Movies Seen: 353.
A wife leaves her husband. The husband (Nader) hires someone to look after their child and his father (now suffering from Alzheimer's). When the woman is caught leaving the father unattended, a dispute erupts and she falls. As luck would have it, she was pregnant and says that the fall caused her to lose her unborn child. Now Nader is on trial for murder and she is accused of neglect.
This is the first Iranian movie to win an Oscar (Best Foreign Language Film) and could be the first Iranian movie I've ever seen (though I'm not sure). "A Separation" is thoroughly steeped in realism and gives an interesting insight into current-day life in Iran. Just about every character conflicts with just about every other character yet none of them are evil and there are no villains - only people. Everyone is trying to be good and live within the rules but the rules are inadequate to handle the full spectrum of human experience. There is no "villain". It's a fallen world in which truth is shades of gray and sometimes two wrongs make a right and sometimes two wrongs make three wrongs.
Like "The Bicycle Thief", this movie attempts to go big by going small - to comment on the general by focusing on the particular. It's subtle and stark without becoming dark and sullen. In the movie, as in everyday life, life is hard. People struggle and suffer and try to do their best to get by and do what's best for their families. And it's a difficult world. But I couldn't help but wonder (and many people will certainly disagree) whether it may be too real. If a movie looks just like real life, should one question why they're watching a movie and not just continuing to live real life? Can a movie be real enough to be ordinary?
This is a well made movie and a lot of people will love it but I can't.
6/10.
Total "Top 250" Movies Seen: 353.
Friday, May 18, 2012
Conan on Letterman
Conan O'Brien made his fourth ever guest-appearance on the "Late Show" last night. The conversation was uncomfortable, razor-sharp, electric and very funny. It helped heal a nation. It could change the world!
Anyways, there is no way to embed the interview so you can watch the video here and skip to 14:30.
The one thing I was looking for (other than Leno bashing)- the second thing I was looking for out of this interview was to see if Dave would "make nice" and smooth things over. Instead, I don't know if he may have made things worse. The time when Conan lost the "Tonight Show" is the "golden age of broadcasting" for instance.
I was hoping for more insight into the events of a few years ago but time is so limited it just didn't happen.
Is it me or in those moments when Dave says Conan did a great job on the "Tonight Show" and the audience applauds, is Conan a little touched? It could just be my imagination but I see a a tear in his eye.
Labels:
Conan,
Conan Obrien,
David Letterman,
Late Night,
Late Show,
Tonight Show
Monday, May 14, 2012
IMDB 250 7.3 - Harakiri (1962)
Harakiri (1962)
"The greatest delicacies taste of nothing when eaten alone."
When peace comes to Feudal Japan, a Samurai finds himself out of work and on the brink of starvation. When he appears at the gates of a fortress and says he wants to invoke the right of "harakiri" (the right of ritualistic suicide) he's obliged. As he insists on stalling the proceedings to tell his own history, the samurai wonder what his motives really are.
"Harakiri" is a tremendous story of poverty, desperation, resentment and revenge. That the story is masterful is no surprise - the writer, Shinobu Hashimoto, also wrote some of Akira Kurosawa's greatest films ("Rashomon", "Ikiru", "Seven Samurai"). It begins slowly with a simple questioning of the main character's motives and very slowly builds suspense as we learn more and more details of his past.
Watching it, I was struck by how it was simultaneously Eastern and "Western". Though the actors are Japanese and the weapons are samurai swords, it particularly resembles the Spaghetti Westerns of Sergio Leone. Note the tracking shot of a man's shadow as he walks across sand. Watch the extreme closeups of a man's sweaty face as he waits for an attack. Note that the drama is in extending the anticipation leading up to the fight rather than the fight itself. Most surprisingly, watch how the conical Asian hat is wielded for dramatic effect EXACTLY like a cowboy hat.
But the film is undoubtedly Eastern as well. It's a classic samurai movie - perhaps the classic samurai movie. And it's amazing how much movies like "Kill Bill" can borrow from a movie made in 1962.
8/10.
Total "Top 250" Movies Seen: 352.
"The greatest delicacies taste of nothing when eaten alone."
When peace comes to Feudal Japan, a Samurai finds himself out of work and on the brink of starvation. When he appears at the gates of a fortress and says he wants to invoke the right of "harakiri" (the right of ritualistic suicide) he's obliged. As he insists on stalling the proceedings to tell his own history, the samurai wonder what his motives really are.
"Harakiri" is a tremendous story of poverty, desperation, resentment and revenge. That the story is masterful is no surprise - the writer, Shinobu Hashimoto, also wrote some of Akira Kurosawa's greatest films ("Rashomon", "Ikiru", "Seven Samurai"). It begins slowly with a simple questioning of the main character's motives and very slowly builds suspense as we learn more and more details of his past.
Watching it, I was struck by how it was simultaneously Eastern and "Western". Though the actors are Japanese and the weapons are samurai swords, it particularly resembles the Spaghetti Westerns of Sergio Leone. Note the tracking shot of a man's shadow as he walks across sand. Watch the extreme closeups of a man's sweaty face as he waits for an attack. Note that the drama is in extending the anticipation leading up to the fight rather than the fight itself. Most surprisingly, watch how the conical Asian hat is wielded for dramatic effect EXACTLY like a cowboy hat.
But the film is undoubtedly Eastern as well. It's a classic samurai movie - perhaps the classic samurai movie. And it's amazing how much movies like "Kill Bill" can borrow from a movie made in 1962.
8/10.
Total "Top 250" Movies Seen: 352.
Friday, May 11, 2012
Conan on the Late Show
[Strike this. Reverse it.]
It's not just news it's like "moonlanding" news.
NEXT THURSDAY Conan O'Brien will be a guest on the "Late Show" with David Letterman. Conan O'Brien was last a guest on the Late Show 13 years ago in 1999. His first guest-appearance was in 1994 when he had just started "Late Night" (Letterman's old gig).
I think it's safe to assume that the "Tonight Show" debacle (Parts 1 and 2) and Jay Leno might come up in conversation.
Shortly after the "Tonight Show" debacle (Part 2), Conan and Dave had (perhaps) a small tiff of their own as Letterman invited both Jay Leno and Conan to do a Super Bowl commercial together. Conan refused, reportedly saying, “No f***ing way I’m doing that. It’s not a joke to me—it’s real.” Worried about any offense, Letterman called him to make sure "everything was fine". But that's all he said on the subject.
The episode will air Thursday, May 17th.
Labels:
Conan,
Conan Obrien,
David Letterman,
Late Night,
Late Show,
The Tonight Show
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