Popcorn in Bed - Vertigo

 Another classic. Another Hitchcock classic.

If you haven't seen the movie, this will all be spoilers.

One of my favorite observations about "Vertigo" is from a Roger Ebert article that is hard to find and not very well known:

Let's close by returning to "Vertigo." Every time I've gone through any film a shot at a time over several days, someone in the audience has noticed something amazing. When I was at the University of Virginia, we got to the point when Scottie (James Stewart) rescues the unconscious Madeleine/Judy (Kim Novak) from San Francisco Bay and takes her unconscious back to his apartment. He gently undresses her and puts her into bed.

"His action is incredible," I said. "He's changing an unconscious stranger."

"She's not unconscious," said a voice in the dark.

"What?"

"She's pretending. That wasn't Madeleine attempting suicide, but Judy playing Madeleine. She's pretending to be unconscious."

And Scotty saved her, did not ravish her, treated her gently, and tucked her in. That may help explain why the next time we see her, coming into the living room and joining Scottie, she has a glow in her eyes. Madeleine went into the bedroom, and Judy came out. It's then she starts to love and pity him. Oh, this is an even deeper film than it seems.    

And here is Roger Ebert's analysis of the color palette of "Vertigo" and what each means: link.

Read Roger Ebert's full review: here.

And here's a video "How Hitchcock Blocks a Scene" where the scene, of course, is from "Vertigo:"