Pocorn in Bed - Little Miss Sunshine

 Delightful as always.

Colton Dunn of Dudez A-Plenti

 An interview with Colton Dunn, better known as Dan/Lorraine/Samantha, of Dudez A-Plenti. 

One of the sneaky good qualities of the Dudez-A-Plenti pieces was how realistic it was. It seemed to me that the "band" might not even be in on the joke. But after repeated viewings, where I've concluded they must have, I then wonder how much of it was improvised.

Thoughts on Saving Private Ryan

Went to see "Saving Private Ryan" in the theater tonight and here are some thoughts.

One thing I've usually done in these posts is identify visual elements on the sides of the screen or usually out of focus that are clearer in a large screen presentation. I only have one thing for that - "Saving Private Ryan" is pretty plain in its visuals, pretty much "what you see is what you get." But when Mrs. Ryan is about to be informed of the death of her sons, she opens the door and to the right of the door is a photograph of all 4 boys together. It's plain enough that I'm not sure this even counts but it stuck out, watching tonight.

But I also want to note an element of the audio. As the final battle approaches, we hear the low rumble of the German tanks grow louder and louder. A special theater experience is that eventually the roar becomes so loud that it shakes everything inside you. It's a great touch.

One moment that stuck out especially, to me, is the scene early on when the movie becomes quiet for the first time and Giovanni Ribisi (Medic Wade) has a quiet monologue. He tells the story from his childhood, how he would try to stay up late at night to speak to his mom when she came home. He loved talking to his mother except sometimes she wouldn't get to talk to him because he would pretend to be asleep. He wonders why he would do that.

Film 101 tells you that this memory must have some higher meaning, some greater significance to the plot but I have never found it. My best guess is that it's a subversion - the memory is just a typical memory that all of us have. If you have any theories, let me know. But notice this: this meaningful memory is all about his mother which connects later to him bleeding out and dyeing - his last words are a call to his mother. These were men but these were kids.

As he's telling the story, the company who had been joking around up until now, becomes completely silent and still. There is a sense in which his memories from home are hallowed and holy, no one dares encroach on them. This is a motif that reappears throughout the film - talk of the life before, talk of home stops everyone, freezes everyone. In one of these moments Captain Miller opines, "I just know that every man I kill the farther away from home I feel." If each kill is a further descent into Hell, then could it be that everything about their life before the war becomes sacred? And it is perhaps significant that when Ribisi delivers his monologue, the setting is a church.

In the penultimate scene, there is another repetition of the motif. A memory too sacred to even be uttered.

Private Ryan: Tell me about your wife and those rosebushes?

Captain Miller: No, no that one I save just for me.

MovieJoob - Rocky

I'm not telling you to watch this video...

But this once again proves my theory: WOMEN LOVE ROCKY.

Ethics in America - Episode 1

 A panel group from the 1980s debates the question of what each person owes, if anything, to a fellow person. The episode is "Do Unto Others."

I got hooked on late night PBS television in the late 90s and early 00s. Around that time, my local station decided to fill the dead hours - the really dead hours - with college courses. I forget if there was a name for it but you'd watch episodes on TV in the same way that you would normally attend a lecture and then presumably get assigned homework and then take a test. It was a way of geting college credit from home.

"Ethics in America" was one of my favorites, it's so deliciously watchable. It's so watchable that it seemed to be a "no brainer" that something like this could be a hit on television. "Ethics in America" or something like it, didn't deserve a 3 AM timeslot, put it on in primetime! It never happened but there are a few bizarre ways in which this premise bubbled up, leaked out and became a big hit anyway.

In some ways I think the trashy daytime talkshows filled that gap - almost every episode was examining the question of "what is right?" The conflicts between the people on stage were due to disagreements of ethics, philosophy, morality and then that wasn't enough so all the people in the audience got to argue likewise. Even Fred W. Friendly's monologue at the end of this program, summing everything up and putting it all into perspective, reminds one of Jerry Springer's "Final Thought" at the end of each show.

And there was no bigger TV show in the 90s than "Seinfeld." Eschewing "lessons" and "issues" it only concerned itself with comedy and comedy alone. And yet it was a "smart" show precisely because much of the conflict arose from different ethics and much of the episodes revolved around arguing (justifying) different sides. It's a spin on Seinfeld's (and Larry David's) Abbott and Costello influence: "[T]hey had a remarkable knack for presenting both sides of a silly argument and making both points of view seem perfectly logical."

JERRY: So what happened to you yesterday? We were supposed to go to the auto show, I waited for you, you never came.

ELAINE: I'm sorry, I got really busy. How long did you wait?

JERRY: Five minutes.

ELAINE: Five minutes? That's it?

JERRY: What's the difference? You never showed up.

ELAINE: I could've! I mean, last week we waited for that friend of Kramer's for like, forty minutes.

JERRY: Well, we barely knew the guy.

ELAINE: So, the longer you know someone, the shorter you wait for 'em.

JERRY: That's the way it works.

And it occurs to me now that much of the gap in ethical discussion on TV is filled, for most people, by cable news shows. That's not my thing but I suppose that's another outlet through which this desire is pacified just enough that we never get anything really substantive.

The spiritual successor to "Ethics in America" and the closest thing to the show I proposed was "Justice: What is the Right Thing to do?" and that provided clear evidence that I was way off because no one watched it.

You can watch the entire "Ethics in America" series online here. The best episodes are episodes 6 and 7 ("Under Orders, Under Fire" parts 1 and 2), by the way, but I embedded episode 1 simply because that's the only on on youtube.

More Special Effects From Old Movies

Earlier this year I posted a great youtube video that examined how special effects were done with primitive technology.

Well, it was successful enough to become a series. As with most things film related, the sequels are not as good as the original but still really interesting and worth watching, I think.

Part 2:

Part 3:

Part 4: